Excerpt of The Fear

 

 

 

The following is an excerpt from The Fear Of The Dark  
by Eric Dalen.  © 1999 Eric Dalen.  All rights reserved.

 

The Martyr.

 

She lay in total darkness, trying to figure out what day it was.

There had been three breakfasts and two dinners. She had been abducted on Friday -- no, Thursday night. So, assuming she had not been knocked out for more than a few hours, and hadn’t lost an entire day or two, her first breakfast was Friday morning. Then dinner, then breakfast, then dinner, then breakfast. That makes this Sunday, she decided. Unless her first breakfast was Saturday, which would make this Monday.

Rebecca’s eyes blindly scanned the blackness.

Other than being kidnapped, tied down on a table and left in a windowless room with the lights off, she had been treated fairly well. That one man -- the FBI agent who abducted her -- hadn’t been around since she had been brought to this room, and not seeing him was good all by itself. He scared her to death.

Maybe that was a poor choice of words.

Things could have been much worse, she knew. There could have been no meals, no water, no trips to the outhouse. She could have been beat up, ignored, or . . . worse. So she kept her mouth shut. She didn’t complain.

Another man -- a shortish guy with a lot of muscles she had mentally nicknamed "Pug" -- was the one who came to take care of her, if you want to call it that. He’d ask how she was feeling, but he didn’t ask it to make small talk. He’d check her wrists and ankles to see if the restraints were causing any problems. He’d untie her for her meals, so she could feed herself, but he’d blindfold her on each trip to the outhouse -- presumably to keep her from getting a look around. The trips must have been on some kind of schedule since there was no way she could signal them that she needed to go. Pug just showed up.

She kept her words to an absolute minimum. She had decided not to relate to him or in any way appear friendly or cooperative, although she knew not to fight either. The man always had a machine gun slung over his shoulder, and looked beefy enough to wrestle a rhino -- she wasn’t stupid enough to try to take that on. But she kept alert, in case there was some chance -- any chance -- to get away.

Lying quietly now in the blackness, she heard a sound at the door, and she held her breath to listen. She waited until the door opened before she resumed breathing. The light switch was clicked on and she closed her eyes before the fluorescents could flicker to life, knowing they would blind her after being in the dark. It showed she was adapting. She was getting used to captivity.

She heard footsteps and then the door close. She let her eyes open a little to allow some light in and get them adjusted. What she could see was frosty and blurry, but she could tell this wasn’t Pug. It was the other one. Agent Demming.

"Well, well, how are we doing today?" he asked.

She only blinked as her eyes got used to working again.

He was standing next to the table she laid on, leaning over to take a look. "You look kind of mangy," he said.

Truth was, she felt kind of mangy. Two or three days without a bath, without a change of clothes could do that to a person.

"How do you feel?"

She stared back silently.

"Stubborn little thing aren’t you? Well, I like a person with some spine to them." He smiled, but it was an eerie grin. "Is there anything you’d like to ask me?"

He was tall, thin, and older -- somewhere in his sixties, which surprised her. She didn’t automatically think of men of retirement age as the typical kidnapper type. His eyes had an arrogant intelligence to them, and his smirk was annoying.

"No? Nothing?" he asked. "You have nothing to say? Going once, going twice . . . Okay, this is the deal: We’re going to be making a phone call. You’re going to make it, anyway. It’ll be simple. We even have a script for you. Then, if everything goes well, which no doubt it will, you can take a shower and get cleaned up. We’ve even got a fresh change of clothes for you. How does that sound?"

She remained silent, keeping her face blank.

Demming considered her for several seconds. "You shouldn’t be this stubborn." Then in a mock German accent: "Ve haff vays of making you talk!" He smiled again, his hand caressing her chin, moving gently down her throat to the opening of her blouse. "There are several gentlemen here who haven’t been home in a while."

Rebecca Van Ness suddenly couldn’t breathe, horrified. His fingers felt like ice on her.

Then, suddenly, he pulled his hand away. "You must really believe that I need you for something."

She stared back, feeling the terror subside, hoping none of it showed.

He looked at her, appraising, crossing his arms over his chest, cocking his head to one side. "You know, I have to respect you for that, for what it’s worth, blindly standing up for your husband without any idea of what’s going on. You’re very lucky to love someone that much."

He paused.

"But that doesn’t change anything. Bluff, counter-bluff, that’s all we’re doing here. You don’t want to die, and I can’t kill you yet. So let’s cut to the bottom line." He leaned over very close, just inches from her face. "You have no choice, except to do what I ask, because when you’re done, I really won’t need you anymore, and that is not a bluff. But I’ll also have no reason to kill you either, unless you make things difficult for me. If you do what I say and not cause problems, you can live. If you cause problems, you die. Understand?"

"Yes," she said calmly. "I will die."

He stood up straight. "No. You are going to make a telephone call. Then we’ll rate your performance." He moved over to the workbench and picked up the blindfold, then returned and placed it over her eyes. "Lift your head."

"I’m not going to make the call."

This time, he didn’t reply, instead placing his hand under her neck, raising her head to slip the blindfold on. Then she heard him walk away. The door was opened and someone else entered. This other person began removing the restraints.

She lay limp as he worked. She wasn’t going to fight, she wasn’t going to help. She realized playing the martyr was risky, but she couldn’t see any other avenue to pursue. Demming’s only goal was that he wanted to kill Neil. How could she do what he asked without Neil being hurt in some way? She couldn’t. He could put her in front of the telephone and tell her what to say, but he couldn’t make her say it. And she wouldn’t. She would not help him kill her husband.

"You okay?" It was Pug.

She nodded once.

He helped her off the table, then gently nudged her forward to start walking, and a moment later they were outside. It was warm, and she could feel the sunshine on her skin. They walked quite a ways, the ground was hard, her bare feet on dirt, and then the dirt turned to grass.

"Step up," Pug said, and they entered another building, tile underfoot. She was led in a weaving pattern, as if around furniture, and then they were in what she guessed was a hallway. After about six or seven steps, they slowed and stopped. A door was opened, she was moved forward, and the door was closed behind her.

"Over there," Demming’s voice said, echoing slightly. A hollow, empty sound. As if the room were fairly large.

She was led to a spot, then stopped, turned and gently pushed down to sit. Pug took her left wrist, placed a handcuff around it, then lowered her arm to the side of the chair where the other end of the handcuff was attached to the chair leg. Pug walked away. The door opened, then closed.

What she saw when her blindfold was removed disoriented her for a few moments. There was no way she could have imagined what she was seeing, much less expect it.

It was a room, dark brown carpeting, white plaster walls, another windowless cubicle, but much larger than the one she had been in. Other than the chair she was sitting in, and a table just to her left that held the telephone, there was no other furniture in the room. A pair of photographer’s flood lights were set up and turned on, illuminating the far wall opposite her. There were three people in the glare of the lights, sitting on the floor, backs to the wall, blindfolded, naked, hands behind their backs, legs bound at their ankles.

On the left was a man in his fifties or sixties, gray wavy hair on his head, black mustache over his lip; in the middle was a woman in her early twenties with thick dark hair; on the right, a boy of four or five, black hair.

Demming, standing behind her, had given her time to take this in. Then he leaned down and said softly in her ear: "These people are from Central America. They came to this country illegally to find work." Then he stood up again.

Suddenly there was a terrific explosion, deafening, and Becky flinched and jerked involuntarily.

It had been a gunshot fired just above her. The man across the room snapped backward against the wall, fell forward, then slowly slumped off to the side, away from the woman next to him. A radiant glob of bright blood colored the wall, then running in small rivulets toward the floor. The woman and boy both screamed in terror.

Demming’s mouth was at her ear again. "There’s a piece of paper on the table next to you. At the top is a telephone number and just below that is a name. I want you to call the number, ask for the name. When he gets on the line, I want you to read from the script on the paper. I want you to follow its directions and instructions exactly. You cannot deviate from what is written. If you do, I will kill the mother. Do you understand?"

Rebecca nodded forcefully, eyes wide, scared. She was horrified, terrified, sick, and unable to speak.

"Good, let’s begin," Demming said.

Using her uncuffed right hand, she reached for the telephone, took it off the hook, laid the receiver on the small table top. Her hand shook violently. She looked at the number, finding it hard to see. She blinked hurriedly to clear her eyes and began pushing buttons slowly. She hit one wrong and had to hang up and start over.

She could hear the Spanish whispering of the woman across the room, the murmur of what may have been a prayer.

Yes, pray, Rebecca thought. Please, pray.

 

This excerpt © 1999 Eric Dalen.  All rights reserved.

 

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